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album Trussel - Love Injection mp3 download

album Trussel - Love Injection mp3 download

Genre: Funk, Soul
Performer: Trussel
Album: Love Injection
Country: US
Released: 1979
Style: Disco, Boogie
MP3 version ZIP size: 1611 mb
FLAC version ZIP size: 1397 mb
WMA version ZIP size: 1864 mb
Rating: 4.3
Votes: 471
Other Formats: MMF XM ASF AHX DMF AAC AU

Trussel - Love Injection (1980). Songs in album Trussel - Love Injection (1980).

Love Injection ‎(Cass, Album). Love Injection ‎(LP, Album). I recorded these songs at Earmark Studios in Philadelphia along with studio owner Steve Bruno and future Epic exec producer John Doelp. We were all excited at the time to work with Fred W. There was both an 12-inch as well as a 7-inch version. It was a fun track to record and mix and I was really psyched to hear it on the radio while driving from philly to NYC, probaly on 92 wktu or somethign like that.

other tracks: Trussel. play) (pause) (download) (fb) (vk) (tw). Trussel Love Injection. Trussel Big City Rocker. Trussel Gone For The Weekend.

TRUSSEL - Love Injection is listed as one of the Top 200 Disco records of all tim. he lead singer Larry Tynes passed away in the late 80’s the young lady who didn’t make the album date Veronica Jones passed away in 1988. The other members are still working or playing, producing and writing. The groups leader Bill McGee is a smooth jazz trumpeter with several CD’s on the market. Enjoy the original album version of Love Injection in HQ+Sound.

Trussel - Love Injection. views 142. Repetition on the radio 6. play. Trussel was a College based group from Virginia State College with lead vocalist Larry Tynes. Later when the group signed with Elektra they added a second lead vocalist Michael Spratley. In 1973 the group formed in the Snack Shop of Virginia State and were locally known as the Snack Shop Band.

Trussel Love Injection.

Tracklist

Love Injection 7:53
Gone For The Weekend 6:05

Versions

Category Artist Title (Format) Label Category Country Year
AS-11435 Trussel Love Injection ‎(12") Elektra AS-11435 US 1979
AS-11435 Trussel Love Injection ‎(12") Elektra AS-11435 US 1979
AS-11435 Trussel Love Injection ‎(12", Promo) Elektra AS-11435 US 1979
E-46560 Trussel Love Injection ‎(7") Elektra E-46560 US 1979
E-46560 Trussel Love Injection ‎(7", Promo) Elektra E-46560 US 1979
K 12412 (T), K 22031, AS-11435 Trussel Love Injection ‎(12", Single) Elektra, Elektra, Elektra K 12412 (T), K 22031, AS-11435 UK 1980
K 12412 Trussel Love Injection ‎(7", Single) Elektra K 12412 UK 1980
K12412 Trussel Love Injection ‎(12", RE) Elektra K12412 UK 1982
Video:

Comments:
Dusho
I recorded these song at Earmark Studios in Philadelphia along with studio owner Steve Bruno and future Epic exec producer John Doelp. We were all excited to work with Fred W. There was both an 12-inch as well as a 7-inch version, I mixed the 7-inch. It was a fun track to record and mix and I was really psyched to hear it on the radio while driving from philly to NYC, probaly on 92 wktu or somethign like that. I was disappointed with the mastering that seemed to affect certain Elektra product at that time - the amount of d-essing on the 7-inch is pretty horrendous. Earmark was a very basic studio by modern times. We had a 3M M-79 tape machine, an MCI JH-16 console, two studer B-67 two-track recorders, two keypex Gain Brain dynamics processors and a spring reverb. no sampling was available at the time, the only digital device was an eventide harmonizer.

Berkohi
Thanks for sharing the backstory on your work with this project!

Anicasalar
I recorded these songs at Earmark Studios in Philadelphia along with studio owner Steve Bruno and future Epic exec producer John Doelp. There was both an 12-inch as well as a 7-inch version. It was a fun track to record and mix and I was really psyched to hear it on the radio while driving from philly to NYC, probaly on 92 wktu or somethign like that. I was disappointed with the mastering that seemed to affect certain Elektra product at that time - the amount of d-essing on the 7-inch is pretty horrendous. Earmark was a very basic studio by modern times. We had a 3m M-79 tape machine, an MCI JH-16 console, two studer B-67 two-track recorders, two keypex Gain Brain dynamics processors and a spring reverb. no sampling was available at the time, the only digital device was an eventide harmonizer. eddie ciletti

Keath
I recorded these songs at Earmark Studios in Philadelphia along with studio owner Steve Bruno and future Epic exec producer John Doelp. There was both an 12-inch as well as a 7-inch version. It was a fun track to record and mix and I was really psyched to hear it on the radio while driving from philly to NYC, probaly on 92 wktu or somethign like that. I was disappointed with the mastering that seemed to affect certain Elektra product at that time - the amount of d-essing on the 7-inch is pretty horrendous. Earmark was a very basic studio by modern times. We had a 3m M-79 tape machine, an MCI JH-16 console, two studer B-67 two-track recorders, two keypex Gain Brain dynamics processors and a spring reverb. no sampling was available at the time, the only digital device was an eventide harmonizer.

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