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album Arto Lindsay - Cuidado Madame mp3 download

album Arto Lindsay - Cuidado Madame mp3 download

Performer: Arto Lindsay
Album: Cuidado Madame
Released: 2017
Style: Avantgarde, Art Rock, Avant-garde Jazz, Bossa Nova, No Wave
MP3 version ZIP size: 1514 mb
FLAC version ZIP size: 1625 mb
WMA version ZIP size: 1599 mb
Rating: 4.8
Votes: 162
Other Formats: AUD AAC AIFF MIDI AA RA TTA

Arto Lindsay is the least known romantic to ever pick up a guitar, in part because he has never learned to play it. Since yowling his way through the seminal no wave outfit DNA, Lindsay has united his vocation and avocation: abstract noise and tropicália balladry. His career is a fascinating and often rewarding study in contradictions. As half of Ambitious Lovers for much of the 1980s, Lindsay didn’t sing so much as talk delicately, examining the structure of a song like a prowler testing a window over Peter Scherer’s keyboard blasts over several albums. For Cuidado Madame, his studio first album since 2004, Lindsay has changed not a bit: 11 songs, most less than four minutes long. While musicians his age are supposed to record back-to-basics albums, he’s still skronking up his balladry, still won’t leave his plaints well enough alone. A goddamn racket is his idea of a roots move.

Cuidado Madame ‎(CDr, Album, Promo). Ponderosa Music & Art. CD 139. Italy. NS 090. Arto Lindsay. Cuidado Madame ‎(LP, Album). Northern Spy. US. 2017. Cuidado Madame ‎(CD, Album).

Arthur Morgan "Arto" Lindsay (born May 28, 1953) is an American guitarist, singer, record producer and experimental composer. He first achieved recognition as part of New York no wave group DNA in the late 1970s. He has a distinctive soft voice and an often noisy, self-taught guitar style consisting almost entirely of extended techniques, described by Brian Olewnick as "studiedly naïve. sounding like the bastard child of Derek Bailey".

Long associated with New York City's downtown avant-garde scene, Arto Lindsay has also spent much of his life in Brazil - he grew up there, during the rise of the tropicália revolution. By the time he released 2017's Cuidado Madame, his first studio full-length in over a decade, he had returned to Brazil for several personal reasons. The album was recorded in various locations in both New York and Brazil, and is chiefly inspired by trance-like rhythms associated with the Afro-Brazilian Candomblé religion.

Aside from the 2014 compilation Encyclopedia of Arto, Lindsay hadn't put out a solo album since 2004. I go in with an idea of a general direction, and then I try to write 2/3 of the songs beforehand. I can't write by myself because I can't play harmony. So I bang out these songs with these people. I try out at least a melody and a harmony and half the words before I go into the studio so I'm not wasting time in the studio. I can't afford to waste time in the studio, Fleetwood Mac-style

This brings us to Cuidado Madame, the long awaited new album, where Arto’s mastery is in full bloom. Though the album certainly favors Sexy Arto, its fearlessness makes us let go of our boring, dichotomous ideas. On offer is the full, inimitable Arto Lindsay range of texture, noise, technology, ensemble playing, melody and poetry, sensuality and intellect. You will find that you stop analyzing and parsing. You will find that you surrender.

Arto Lindsay: Cuidado Madame by Luca Canini, published on April 24, 2017. Personnel: Arto Lindsay: voce, chitarra; Melvin Gibbs: basso; Paul Wilson: tastiere, piano, programming; Kassa Overall: batteria, programming; Patrick Higgins, Dadi Carvalho, Lucas Santtana, Luis Filipe de Lima: chitarra; Mike King: Hammond; Steve Barber: tastiere; DJ Omulu: programming; Gabi Guedes, Jaime Nascimento, Ricardo Braga, Iuri Passos: atabaques; Icaro Sa: atabaques, pandeiro; Berna Ceppas: chitarra midi, programming; Michael Beinhord: tromba; Cesar Farias: repique. Title: Cuidado Madame Year Released: 2017 Record Label: Northern Spy Records.

Neither refinement nor fulfillment, Cuidado Madame serves as a refutation. Lindsay’s lyrics are spare and precise enough to work on the page-and that’s a rare compliment. But even if they were woolier, his band’s rabid imagination won’t let these songs congeal into boutique hotel background music.

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Released: 2012
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Released: 2013
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