album Keith Fullerton Whitman - Manchester-by-the-Sea SVP mp3 download
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Keith Fullerton Whitman (born May 29, 1973) is an American electronic musician who has recorded albums influenced by many genres, including ambient music, drill and bass, and krautrock. He records and performs using many aliases, of which the best-known is Hrvatski (the Croatian word for Croatian). His works under the Hrvatski moniker mainly fell under the 'drill and bass' subgenre of IDM, and were his main musical outlet in the mid-to-late 1990s. Other solo aliases include ASCIII and Anonymous.
Keith Fullerton Whitman is a Composer & Musician living & working i. .The tones on the 2002 album are so crystalline that you can hear the parts overlapping, like ripples visible on the bottom of a sunlit pool. 22 May at 00:53 ·. Bandcamp. Eight Contemporary Artists Making the Most of Modular Synth. These artists are building their own worlds with one of the most intricate and customizable instruments. Keith Fullerton Whitman. I'm playing a "Redaction" at the opening bell tonight, along with performances and works by Eliane Radigue, Chris Watson, and Thomas Köner; starts at 8:30pm, Maison de Radio France. INA GRM. 10 November 2017 ·.
Amposta Generators b/w Lleida Generators by Keith Fullerton Whitman, released 04 January 2018 1. Amposta Generators 2. Lleida Generators 3. Amposta Generators (Tape) 4. Lleida Generators (Tape) "Amposta Generators b/w Lleida Generators" offers the highlights of two extended, durational performances reviving the "Generators" framework (just shy of its 8th anniversary) executed during Spring of last year in the titular Catalonian cities; the former just after noon on the 21st of May inside Amposta's "Lo Pati Center d'Art Terres De l'Ebre" & the l.Amposta Generators b/w Lleida Generators C-36 Cassette. Cassette + Digital Album.
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But the Keith Fullerton Whitman of Playthroughs has kept a lower profile. Starting last year with the 21:30 for Acoustic Guitar EP, Whitman began experimenting with subtle music based on laptop-processed guitar tones. While he's tinkered with this approach here and there, Playthroughs is his first sustained exploration of quiet sound. If you've listened to the more drone-focused side of electronic music in the last few years, you've definitely heard the core elements that make up Playthroughs. It's an album of meticulous balance, Zen focus, and tiny gestures that carry great force, where each individual piece of sound is carefully placed to maximize impact. The first 3xBD minutes of "feedback zwei", for example, consists of overlapping blankets of clean, piercing electronic feedback that remain in constant motion, creating new harmonic patterns with each passing second.
|1||Wave 1 Out||10:10|
|2||Wave 2 Out||10:59|
|3||Wave 3 Out||10:17|
|4||Wave 4 Out||10:13|
|5||Wave A Out||10:25|
NotesBased on field recordings done in January 2002 at the seashore in Manchester-by-the-Sea. Recordings were edited by Keith Fullerton Whitman to five separate waves, processed through a highly concentrated SVP (super phase vocoder) algorithm, into which he plugged in the root note values of each wave as sensed by a pitch-tracking Max/MSP patch.
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