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The Concerto for Violin, Piano and Orchestra, K. Anh. 56/315f by Wolfgang Amadeus Mozart is an unfinished work that was written in Mannheim in 1778. It was written for an Academie des Amateurs that was to take place in Mannheim. Mozart himself was to play the piano part and Ignaz Fränzl, the concertmaster of the Mannheim orchestra, was to play the solo violin part.

Concerto for Violin, Strings and Continuo in . .Orchestra L'Anello Musicale. Orchestra sinfonica di Torino della Rai, Karl .2:29 Orchestra sinfonica di Torino della Rai, Karl .9:51 Orchestra sinfonica di Torino della Rai, Karl .

Violin and orchestra. Felix Mendelssohn's Violin Concerto in E minor, Op. 64, is his last large orchestral work. It forms an important part of the violin repertoire and is one of the most popular and most frequently performed violin concertos in history. A typical performance lasts just under half an hour. Mendelssohn originally proposed the idea of the violin concerto to Ferdinand David, a close friend and then concertmaster of the Leipzig Gewandhaus Orchestra. Although conceived in 1838, the work took another six years to complete and was not premiered until 1845.

Violin Concerto in D major, Op. 77 is one of the best-known of all violin concertos. It follows the standard concerto form, with three movements in the pattern quick-slow-quick: Allegro non troppo (D major) Adagio (F major) Allegro giocoso, ma non troppo vivace - Poco piu presto (D major) Originally, however, the work was planned in four movements like the second piano concerto. The middle movements, one of which was intended to be a scherzo, were replaced with what Brahms called a "feeble Adagio. Brahms asked Joachim's advice on the writing of the solo violin part. The most familiar cadenzas used in the work are by Joachim, though a number of people have provided alternatives, including Leopold Auer, Max Reger, Fritz Kreisler, Jascha Heifetz, George Enescu, Nigel Kennedy and Rachel Barton Pine. A recording of the concerto released by Ruggiero Ricci has been coupled with sixteen different cadenzas.

What's even more surprising is that the incredible clarity and definition Everest achieves on the CD is equally noticeable whether listening on a car stereo or a high-end home audio system. To make things even better, Everest includes a two-sided DVD (one for DVD video players, the other for DVD audio players) that provides even more detail and (if set up properly) a spacious three-channel track. The shining star of the album is the Hindemith concerto in its world-premiere recording. The LSO's playing here is truly riveting, precise, and engaging.

Concerto for Orchestra (Bartók). The Concerto for Orchestra, Sz. 116, BB 123, is a five-movement musical work for orchestra composed by Béla Bartók in 1943. The score is inscribed "15 August – 8 October 1943". It was premiered on December 1, 1944, in Symphony Hall, Boston, by the Boston Symphony Orchestra conducted by Serge Koussevitzky.