album Ween - The Pod mp3 download
FLAC version ZIP size: 1853 mb
WMA version ZIP size: 1415 mb
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Zebralution (от лица компании "Schnitzel Records")" и другие авторские общества (2).
The Pod is the second studio album by American rock band Ween, released on September 20, 1991 by Shimmy Disc. The album takes its name from the band's apartment where the album was recorded, which the band nicknamed "The Pod".
The Pod fits in the group of "strangest albums ever existed", even for a group known for going into the deep end of creativity in that weird high-brow low-brow way. Reportedly fueled by Scotch-guard (which the band has refuted in doing, although it was reported that they witnessed other people doing it) but more realistically a four-track tape machine, a collection of drum machines, various effect pedals, guitars and other assortments (and an unexpected case of getting mono), Ween created an album that demonstrates their eclectic tastes, a command of genre
Album Name The Pod. Type Album. Music StyleIndie Rock. Members owning this album3. 1. Strap on That Jammypac. 5. The Stallion (Pt 1). 6. Pollo Asado. 7. Right to the Ways and the Rules of the World.
12 Golden Country Greats is Ween's fifth album, and third on Elektra Records. This album marked the first time Ween limited themselves to a specific genre of music. According to producer and friend of the band Ben Vaughn, Ween asked him to produce the album as he had already been working with musicians on the Nashville country scene, having produced Arthur Alexander's Lonely Just Like Me album and co-written songs with Rodney Crowell and Gary Nicholson.
Released September 20, 1991. Strap On That Jammypac Lyrics.
This album has an average beat per minute of 121 BPM (slowest/fastest tempos: 78/201 BPM). See its BPM profile at the bottom of the page. BPM Profile The Pod. Album starts at BPM, ends at BPM (+0), with tempos within the -BPM range. Try refreshing the page if dots are missing). Recent albums by Ween.
Strap On That Jammypac, 03:03. Sorry Charlie, 03:49. The Stallion, Pt. 1, 02:51.
Dean and Gene Ween, still supported by tinny DAT drumming and copious amounts of pitch-shifting, created the best anti-pop album of their generation. There is simply no way any of The Pod's twenty-three songs and assorted goof-off recordings will resound with a mass audience, or an alternative audience, whatever that means in 2017. Even if you listen to garage rock and Mr. Bungle on a daily basis, The Pod will doubtlessly cause some level of discomfort
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