album Duff Egan - The Raven Is Real mp3 download
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The Raven is Real by Duff Egan, released 17 March 2016 1. The Raven Listens 2. The Raven Remembers 3. The Raven is Real "A man who is unconscious of himself acts in a blind, instinctive way and is in addition fooled by all the illusions that arise when he sees everything that he is not conscious of in himself coming to meet him from outside as projections upon his neighbor. released March 17, 2016. recorded, arranged and mixed by Duff Egan mastered by Brian Elgin at Sentient Sound Labs graphic design by Brian Bourassa. supported by. Brian Bourassa. Brian Bourassa More goodness from Duff. A three-part compilation that begins as calm and blissful and transitions to restless and stormy as the proverbial "Raven" arrives.
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The Raven is the nineteenth solo studio album by American musician Lou Reed, released in 2003 by Sire Records. It is a concept album, recounting the short stories and poems of Edgar Allan Poe through word and song, and was based on his 2000 opera co-written with Robert Wilson, POEtry. The Raven features new and very different versions of two songs that Reed had released on earlier albums: "Perfect Day" (originally found on 1972's Transformer) and "The Bed" (from 1973's Berlin).
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The mix of ingredients on The Raven is heady, and the result is more than a little bizarre, but there's no mistaking the fact that Reed's heart and soul are in this music; even the most oddball moments bleed with passion and commitment, whether he's handing the vocal mic over to Buscemi for a faux-lounge number, conjuring up brutal.
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Egan's novel is certainly not of the time travel science fiction sort, but its clever use of a nonlinear timeline of all-too-real events is evocative of one that is. Kurt Vonnegut's Slaughterhouse Five quickly comes to mind. Like poor Billy Pilgrim in Vonnegut's novel, the characters in Goon Squad are also, in a manner of speaking, unstuck in time. It’s no wonder then that the book’s format resembles that of a record album. Its chapters are divided into parts A and B, clearly inspired by the A and B sides of vinyl records and audio cassettes, the analog music storage media of yore. Indeed, music, like time, plays a major role in Goon Squad.
Once upon a midnight dreary, while I pondered, weak and weary, Over many a quaint and curious volume of forgotten lore- While I nodded, nearly napping, suddenly there came a tapping As of some one gently rapping, rapping at my chamber door- "'Tis some visitor," I muttered, "tapping at my chamber door- Only this and nothing more. And the Raven, never flitting, still is sitting, still is sitting On the pallid bust of Pallas just above my chamber door; And his eyes have all the seeming of a demon's that is dreaming, And the lamp-light o'er him streaming throws his shadow on the floor; And my soul from out that shadow that lies floating on the floor.
The Raven" is the most famous of Poe's poems, notable for its melodic and dramatic qualities. The meter of the poem is mostly trochaic octameter, with eight stressed-unstressed two-syllable feet per lines. Combined with the predominating ABCBBB end rhyme scheme and the frequent use of internal rhyme, the trochaic octameter and the refrain of "nothing more" and "nevermore" give the poem a musical lilt when read aloud. The unnamed narrator appears in a typically Gothic setting with a lonely apartment, a dying fire, and a "bleak December" night while wearily studying his books in an attempt to distract himself from his troubles. He thinks occasionally of Lenore but is generally able to control his emotions, although the effort required to do so tires him and makes his words equally slow and outwardly pacified.
|The Raven Listens||23:24|
|The Raven Remembers||11:36|
|The Raven Is Real||26:49|
|none||Duff Egan||The Raven Is Real (3xFile, MP3, 320)||Black Dingo Records||none||US||2016|
|none||Duff Egan||The Raven Is Real (3xFile, FLAC)||Black Dingo Records||none||US||2016|
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