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Jóhann Gunnar Jóhannsson (19 September 1969 – 9 February 2018) was an Icelandic composer and musician who had been releasing solo albums since 2002 as well as composing music for a wide array of media including theatre, dance, TV and films. Jóhann Gunnar Jóhannsson (19 September 1969 – 9 February 2018) was an Icelandic composer and musician who had been releasing solo albums since 2002 as well as composing music for a wide array of media including theatre, dance, TV and films. Jóhann Jóhannsson was one of the most active participants in the new Icelandic music scene.

Jóhann Gunnar Jóhannsson (Icelandic pronunciation: ; 19 September 1969 – 9 February 2018) was an Icelandic composer who wrote music for a wide array of media including theatre, dance, television and films. His work is stylised by its blending of traditional orchestration with contemporary electronic elements. Jóhann released solo albums from 2002 onward. In 2016, he signed with Deutsche Grammophon, through which he released his last solo album, Orphée.

Jóhann Gunnar Jóhannsson (19 September 1969 – 9 February 2018) was an Icelandic composer who wrote music for a wide array of media including theatre, dance, television and films. His work is stylized by its blending of traditional orchestration with contemporary electronic elements.

2016 Jóhann Jóhannsson, under exclusive license to Deutsche Grammophon GmbH, Stralauer Allee 1, 10245 Berlin A Universal Music Company Total time: 46:34, Made in the . String orchestra recorded at AIR Studios, Lyndhurst Hall, London Pipe organ recorded at Sct. Lukas Kirke, Copenhagen Choir recorded at Danmarks Radio, Copenhagen String quartet, cello, organ and piano recorded at various studios in Copenhagen, Berlin and Reykjavík between 2009 and 2016 Mixed at Vox-Ton Recording Studio, Berlin.

Orphée, the latest album by the Icelandic composer and filmmaker Jóhann Jóhannsson is billed as his first studio album in six years since the somber and excellent The Miners’ Hymns. But during that time Jóhannsson has released eight records-three of which were scores to major films (including Sicario & The Theory of Everything) and the rest music for smaller film projects, one of which Jóhannsson directed himself

In the six years between And in the Endless Pause There Came the Sound of Bees and Orphée, Jóhann Jóhannsson became a celebrated film composer, earning back-to-back Oscar nominations for his life-affirming score for The Theory of Everything and his ominous, rough-edged music for Sicario. During this time, Jóhannsson continued to work on personal projects including this, his Deustche Grammophon debut.

About Jóhann Jóhannsson. One of Iceland's most prolifically creative musicians, lti-instrumentalist Jóhann Jóhannsson blurred the lines between genres - as well as the boundaries between his solo work, collaborations, and commissioned pieces - with an organic ease and generosity of spirit. The way he blended classical, electronic, and ambient music (along with hints of indie and metal) complemented his innate gift for storytelling and communicating emotions on works as intimate as his 2002 debut Englabörn and as ambitious as 2008's Fordlandia.