album Robert W. Getz / Elliott Levin - Sassafras Hello mp3 download
Album: Sassafras Hello
Style: Free Improvisation
FLAC version ZIP size: 1576 mb
WMA version ZIP size: 1222 mb
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Elliott Levin is a dab hand at negotiating such turbulent musical waters, with a . that includes stints with Cecil Taylor (including the recent Sound Vision Orchestra); rather than just a hard blower, he’s an impressively fertile thinker, and for all the toughness of his tenor playing and the acrid scrawl of his soprano, he’s basically a melodist who’s. Sassafras Hello is thinking man’s energy music, and comes strongly recommended. Nate Dorward, Cadence Magazine.
Robert W. Getz/Elliott Levin Duo Releases "Sassafras Hello". Photos (5) Slideshow. Ear-Rational Records 2009. Help improve the Elliott Levin page. All About Jazz musician pages are maintained by musicians, publicists and trusted members like you. Interested? Tell us why you would like to improve the Elliott Levin musician page.
But Beautiful is a jazz album by the Bill Evans Trio with Stan Getz, recorded live in Europe in 1974 and released in 1996. Recorded live on August 9, 1974, during the Laren International Jazz Festival at the Singer Concertzaal located in Laren, Netherlands, and on August 16, 1974, during Jazz Middelheim held in Antwerp, Belgium, this record features pianist Bill Evans and tenor saxophonist Stan Getz. It was the second time the two musicians recorded together.
Слушайте Elliott Levin и скачивайте бесплатно в формате mp3 прямо сейчас, без кодов, смс и регистрации. Elegy (Elliott Carter) - Kim Kashkashian, Robert Levin. Soul Etude - Elliott Levin & Tyrone Hill Quartet. Revolving Door - Elliott Levin & Tyrone Hill Quartet. PGC Blues Take 3 - Elliott Levin & Tyrone Hill Quartet. D - Elliott Levin & Tyrone Hill Quartet.
1. Psycho-Pathology Of Everyday Nights - Black Lodge Ensemble. Ensemble 5 Live - Featuring Elliott Levin. Bob & Friends at The Black Lodge - SOR 9/27/08. Listen to Elliott Levin And The Black Lodge Ensemble now. Listen to Elliott Levin And The Black Lodge Ensemble in full in the this site app. Play on this site.
Levin's gigs with Taylor included the groups Phthongas and Unit Core Ensemble, and he can be heard on the Taylor FMP album Live in Berlin. On the poetry scene he has performed with Miguel Algarin, Gloria Tropp, Mbali Umoja, Marty Watt, and Frank Messina. Levin has published several books of his verse, which also appears in publications such as . Weekly, Blue Beat Jacket, The Painted Word, Po' Fly, Vital Pulse, and Poets and Prophets.
|4||Twenty Year Circus||21:40|
|5||Wherever You May Hang Your Halo||9:41|
- Piano – Robert W. Getz
- Soprano Saxophone, Tenor Saxophone, Flute – Elliott Levin
NotesIn his unusually thoughtful and helpful liner notes Getz comments about the opening “Prelude”: “My intro tries to mimic two different pianists playing at the same time (one a little more straightforward than the other)”. As that description suggests, there’s much about his playing here that will strike a chord with fans of attacking, independent-handed pianists like Borah Bergman and Joel Futterman. Elliott Levin is a dab hand at negotiating such turbulent musical waters, with a c.v. that includes stints with Cecil Taylor (including the recent Sound Vision Orchestra); rather than just a hard blower, he’s an impressively fertile thinker, and for all the toughness of his tenor playing and the acrid scrawl of his soprano, he’s basically a melodist who’s always in touch with the swaggering swing and the beseeching eloquence of a more orthodox jazz saxophone tradition. Getz is occasionally a little too bound up in predictable lurching rhythms and chordal thunder in the middle and lower registers—the clichés of the genre—but both players are top-notch listeners, and despite the dissonance of their musical idiom there’s a genuine sense of conversational ease and warmth here. This is a quality hour’s worth of playing with no safety nets but surprisingly few dead spots, even on the longer improvisations. The album’s centrepiece is “Twenty Year Circus”, a tribute to Henry Threadgill’s Very Very Circus. Over the length of the improvisation there’s a number of false resolutions, wherein one or both of the players obviously considered winding things up; but on each occasion they discover there’s much more to say: rather than flagging, the performance actually gets more interesting and involved the further it goes on. Sassafras Hello is thinking man’s energy music, and comes strongly recommended.
- Nate Dorward, Cadence Magazine
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