album Various - An Introduction To The Music Of The Baroque Era mp3 download
Album: An Introduction To The Music Of The Baroque Era
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An introduction to the characteristics of Baroque music. Get informed about what are the characteristics of Baroque music. The Baroque period followed the Renaissance and is broadly agreed to cover the years from 1600 until around 1750. Keyboard music became a regular part of the musical diet during the Baroque. Even though the harpsichord itself was a notoriously unreliable instrument that quickly slipped out of tune, numerous pieces were composed for it and its rival, the organ. Scarlatti, and Italian composer wrote extensively for the keyboard and produced a dazzling array of (mostly one movement) sonatas.
The baroque era is one of the richest and most diverse periods in music history. The art and music of this era were largely commissioned by the church and royalty to bring laymen in touch with the artistic world through emotional intensity, rich texture, and ornate beauty. What is baroque and when was the baroque period? The term baroque comes from the Portuguese barroco, or oddly shaped pearl, which was used for the architecture and artwork that was being created at the time.
Program music or programme music is a type of art music that attempts to musically render an extra-musical narrative. The narrative itself might be offered to the audience in the form of program notes, inviting imaginative correlations with the music. A classic example is Hector Berlioz's Symphonie fantastique, which relates a series of morbid fantasies concerning the unrequited love of a sensitive poet involving murder, execution, and the torments of Hell. In the Baroque era, Vivaldi's The Four Seasons has poetic inscriptions in the score referring to each of the seasons, evoking spring, summer, autumn, and winter. While many cantatas by J. S. Bach contain programmatic elements, an example of outright program music is his Capriccio on the departure of a beloved brother, BWV 992. Program music was perhaps less often composed in the Classical era.
The Baroque Period spans from 1600 to 1750. Opera was now emerging for the first time, with many opera houses being built. The two 'giants' of the Baroque era were Bach and Handel. Bach's death in 1750 marked the end of the Baroque period. Other main composers of this period were Monteverdi, Purcell, Vivaldi, Corelli, Telemann, and Rameau.
There is an astonishing six and a half hours of music, from the emergence of instrumental forms in the early 16th century to the development of the baroque orchestra and the concerto, with the final disc being devoted to an exploration of the specifically German Lutheran and polyphonic tradition.
The Academy of Ancient Music Chorus AAM Hogwood. 49. CD49 Heinichen Schisikhardt Telemann Marcello Vivaldi Concerto di flauti Amsterdam Loeki Stardust Quartet AAM Hogwood. 50. CD50 Vivaldi Ferrandini Conti Pisendel Il Pianto di Maria Bernarda Fink Il Giardino Armonico Giovanni Antonini.
The Baroque Period of music is from 1600-1750 (it is generally considered to finish sometime around the death of JS Bach in 1750 and Handel in 1759). This was a very eventful period of history. In Europe, the 30 years war (1618-1648) was being raged and powerful rulers such as Louis XIV in France, Charles II in England and Peter The Great in Russia reigned with considerable ruthlessness. The Baroque Period is the time where the tonality we are most familiar with today became established. Major and minor keys took centre stage and have held on to this position ever since (although we shall see in later periods they have not always been unchallenged in this dominance!). The modes so characteristic of the Renaissance Period gave way to this new tonality.
Famous painters of the Baroque era include Rubens, Caravaggio, and Rembrandt. In music, the Baroque style makes up a large part of the classical canon, such as Bach, Handel, and Vivaldi. The later Baroque style was termed Rococo, a style characterized by increasingly decorative and elaborate works. Baroque art manifested itself differently in various European countries owing to their unique political and cultural climates. The Baroque style is characterized by exaggerated motion and clear detail used to produce drama, exuberance, and grandeur in sculpture, painting, architecture, literature, dance, and music. Baroque iconography was direct, obvious, and dramatic, intending to appeal above all to the senses and the emotions. The use of the chiaroscuro technique is a well known trait of Baroque art.
The baroque period (1600-1750). The transition from Renaissance to Baroque musical style began in the late sixteenth century. The polychoral motets of the Venetian school, with two or more independent choirs juxtaposed to exploit the resulting contrast in color, provided the seedbed for the Baroque notion of conflict. Composers of the Venetian school also employed large performing forces, including choirs of instrumentalists, in their music. An examination of the madrigals of Monteverdi, written over a fifty year period, reveals many of the stylistic changes that signaled the transition from Renaissance to Baroque. Monteverdi's early madrigals (written 1587-1603) were composed in the style of the high Renaissance.
Tracklist Hide Credits
|A1||–The Edward H. Tarr Brass Ensemble Of Lausanne*||Orfeo: Opening Toccata
Composed By – Claudio MonteverdiConductor – Michel CorbozOrchestra – Vocal And Instrumental Ensemble Of Laussane
|A2||–Orchestre De Chambre Jean-François Paillard||Concerto In D Major Gg. 2 for Trumpet, Strings and Organ: Allegro
Composed By – Giuseppe TorelliConductor – Jean-François Paillard
|A3||–I Solisti Veneti||Concerto In C Major, P. 16/F. XIII, No. 37
Composed By – Antonio VivaldiConductor – Claudio ScimoneMandolin – Alessandro Pitrelli, Bonifacio BianchiViolin – Piero Toso
|A4||–Pamela Cook||Sonata in D Major L. 425, K 119
Composed By – Domenico Scarlatti
|A5||–Orchestre De Chambre Jean-François Paillard||Midnight Mass: Kyrie (Joseph Married Well)
Chorus – Jeunesses MusicalesComposed By – Marc Antoine CharpentierConductor – Louis Martini
|A6||–Michel Chapuis||Organ Noel: Joseph Married Well
Composed By – Claude Balbastre
|A7||–Christiane Parée||Les Barricades Misterieuses
Composed By – François Couperin
|A8||–Orchestre De Chambre Jean-François Paillard||ISIS: Act IV, Scene 1, Shivering Chorus
Composed By – Jean-Baptiste LullyConductor – Jean-François PaillardSoprano Vocals – Jocelyne Chamonin, Nadine Sautereau
|A9||–Orchestre De Chambre Jean-François Paillard||Hippolyte Et Aricie: Hunting Scene: Chorus
Chorus – Chorale Stéphane CaillatComposed By – Jean-Philippe RameauConductor – Jean-François Paillard
|A10||–Karen Phillips||Partia No. 7 for 2 Violas d'amore and continuo
Composed By – Heinrich Ignaz Franz BiberHarpsichord – Glenn WilsonViola, Viola d'Amore – Walter TramplerVioloncello – Charles McCracken
|B1||–Orchestre De Chambre Jean-François Paillard||Canon In D Major
Composed By – Johann PachelbelConductor – Jean-François Paillard
|B2||–Marie-Claire Alain||Toccata In D Minor, BWV 565
Composed By – Johann Sebastian Bach
|B3||–Bachcollegium Stuttgart||Cantata No. 63: Chisten ätzet diesen Tag
Alto Vocals – Hanna Schwarz, Hildegard LaurichBass Vocals – Hanns-Friedrich Kunz, Wolfgang Schöne*Choir – Frankfurter KantoreiComposed By – Johann Sebastian BachConductor – Helmuth RillingSoprano Vocals – Maria Friesenhausen, Nobuko Gamo-YamamotoTenor Vocals – Adalbert Kraus
|B4||–Orchestre De Chambre Jean-François Paillard||Recorder Concerto in F Major Allegro
Composed By – Georg Philipp TelemannConductor – Jean-François PaillardHarpsichord – Anne-Marie BeckensteinerRecorder – Mario DuschenesVioloncello – Bernard Fonteny
|B5||–The London Philharmonic Orchestra||Messiah: For Unto Us A Child Is Born
Choir – The London Philharmonic ChoirChorus Master – Frederick JacksonComposed By – Georg Friedrich HändelConductor – Walter SusskindHarpsichord – George MalcolmOrgan – Harold Darke
|B6||–Orchestre De Chambre Jean-François Paillard||Royal Firework Music: Rejoicing
Composed By – Georg Friedrich HändelConductor – Jean-François Paillard
Title: Water Music
G.F.Haendel, Marie-Claire Alain, Jean-François Paillard - Integrale Des 16 Concertos Pour Orgue Et Orchestre No. 5-8 Vol. II album mp3
Title: Integrale Des 16 Concertos Pour Orgue Et Orchestre No. 5-8 Vol. II
Georg Friedrich Haendel, Maurice André, Gérard Jarry, Jacques Chambon, Jean-François Paillard - Concerto Pour Trompette / Sonate Pour Violon & Orchestre / 3 Concertos Pour Hautbois album mp3
Title: Concerto Pour Trompette / Sonate Pour Violon & Orchestre / 3 Concertos Pour Hautbois
Giuseppe Torelli - Jean-François Paillard Chamber Orchestra - Concerti And Sinfonias For Brass, Woodwinds & Strings album mp3
Title: Concerti And Sinfonias For Brass, Woodwinds & Strings
J.S. Bach — Orchestre De Chambre Jean-François Paillard - Suites Pour Orchestre — Vol. I / 1e Suite En Ut Majeur - 3e Suite En Re Majeur album mp3
Title: Suites Pour Orchestre — Vol. I / 1e Suite En Ut Majeur - 3e Suite En Re Majeur
Handel, Marie-Claire Alain, Anne-Marie Beckensteiner, Orchestre De Chambre Jean-François Paillard - 16 Concerti For Organ And Orchestra - Volume II album mp3
Title: 16 Concerti For Organ And Orchestra - Volume II
Country: France & Benelux
Title: Sacred Symphonies
Title: Sept Concertos Celebres
J.W. Hertel, Maurice André, Pierre Pierlot, Jacques Chambon, Paul Hongne, Amaury Wallez, Orchestre De Chambre Jean-François Paillard - 3 Concertos / Pour Trompette / Pour Trompette & Hautbois / Pour Trompette, Deux Hautbois & Deux Bassons album mp3
Title: 3 Concertos / Pour Trompette / Pour Trompette & Hautbois / Pour Trompette, Deux Hautbois & Deux Bassons
Händel - Marie-Claire Alain & Chamber Orchestra Jean-François Paillard - 16 Concertos For Organ & Orchestra, Vol. 4: 13 - 16 album mp3
Title: 16 Concertos For Organ & Orchestra, Vol. 4: 13 - 16
Title: Three Concertos
Haendel, Maurice André, Jacques Chambon, Jean-François Paillard, Orchestre De Chambre Jean-François Paillard - Royal Firework's Music album mp3
Title: Royal Firework's Music