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Jazz Women: A Feminist Retrospective. Jazz Women: A Feminist Retrospective.
Various – Jazz Women (A Feminist Retrospective). No pseudo or electronic re-channeling has been added. Other Versions (1 of 1) View All.
Various - Jazz Women (A Feminist Retrospective) (2xLP, Comp). Etichetta:Stash N. cat: ST 109. Condizione supporti: Supporti: Very Good Plus (VG+) Condizione copertina: Copertina: Very Good Plus (VG+). Jimmy Cleveland - A Map Of Jimmy Cleveland (LP, Album). Etichetta:Mercury N. cat: SR 60117. Condizione supporti: Supporti: Near Mint (NM or M-) Condizione copertina: Copertina: Very Good Plus (VG+).
The best feminist songs for any playlist. Crank up these feminist songs-from Nicki Minaj to Le Tigre-and raise a glaring middle finger to the patriarchy. Photograph: Dusty Lombardo Le Tigre. Her parodic takedown of misogynistic stereotypes casting women as frail, dependent and needy became an essential sonic centerpiece for all '90s teen-girl bedrooms, and that opening riff is nothing short of iconic. With its dub-infused 1979 album, Cut, the Slits laid the groundwork for riot grrrl and other feminist punk to come. In this single, lead singer Ari Up makes efficacious use of incisive wit and irony to protest stereotypes of woman as passive, frail and submissive: "Typical girls you can always tell, typical girls don't rebel.
Feminist views of pornography range from condemnation of pornography as a form of violence against women, to an embracing of some forms of pornography as a medium of feminist expression . American jazz singer and songwriter Billie Holiday in New York City in 1947. Women's music (or womyn's music or wimmin's music) is the music by women, for women, and about women. The genre emerged as a musical expression of the second-wave feminist movement as well as the labour, civil rights, and peace movements. Feminist jurisprudence is a branch of jurisprudence that examines the relationship between women and law.
The best female jazz singers in music history have a sound that's like no other. Their melodies and tones captivate us and keep us coming back for more. Many of the women on this list have been gone for decades, but their incomparable jazz vocals will live on forever.
Black Women and Feminism and The Feminist Theory in which she declared, "Feminism is a movement to end sexism, sexist exploitation and oppression. 10 of 30. Getty Images. Most known for her "We Should All Be Feminists" TED Talk that was sampled on Beyoncé's self-titled album, Adichie has become a vital author in the modern day feminist movement. 25 of 30.
Listen to Jazz à Vauban 1985-1995 online and get recommendations on similar music. Ultimate R&B 2008 (Double Album).
Tracklist Hide Credits
A1 | –Lovie Austin & Her Serenaders* | Frog Tongue StompPiano – Lovie AustinWritten-By – Austin* |
A2 | –Ida Cox | Blue Monday BluesPiano – Lovie AustinVocals – Ida Cox |
A3 | –Al Wynn's Gutbucket Five* | That Creole BandCornet – Dotty Jones |
A4 | –New Orleans Wanderers | Perdido Street BluesPiano – Lil Armstrong*Written-By – Armstrong* |
A5 | –New Orleans Wanderers | GatemouthPiano – Lil Armstrong*Written-By – Armstrong* |
A6 | –Ma Rainey | Trust No ManPiano – Lil HendersonVocals – Ma RaineyWritten-By – Rainey* |
A7 | –Memphis Minnie | When The Levee BreaksGuitar – Memphis Minnie |
A8 | –Andy Kirk And His Twelve Clouds Of Joy* | SophomorePiano – Mary Lou Williams |
A9 | –Mary Lou Williams | NightlifePiano, Soloist – Mary Lou WilliamsWritten-By – Williams* |
B1 | –Ina Ray Hutton And Her Melodears | Wild PartyWritten-By – Hudson* |
B2 | –Ina Ray Hutton And Her Melodears | Witch DoctorWritten-By – Hudson* |
B3 | –Billy Mason And His Orchestra | You Bring Out The Savage In MeTrumpet – Valaida SnowWritten-By – Coslow* |
B4 | –Lil Armstrong And Her Swing Band | It's MurderPiano, Vocals – Lil Armstrong*Written-By – Armstrong* |
B5 | –Lil Armstrong And Her Swing Band | Doing The Suzie QPiano, Vocals – Lil Armstrong*Written-By – Armstrong* |
B6 | –Joe Brown And His Band | Beaumont Street BluesPiano – Jewel PaigeWritten-By – Stovall*, Brown* |
B7 | –Una Mae Carlisle Band* | I Met You Then - I Know You NowPiano, Vocals – Una Mae CarlisleWritten-By – Smith*, Carlisle* |
B8 | –Six Men And A Girl | Scratching The GravelPiano – Mary Lou WilliamsWritten-By – Williams* |
B9 | –Six Men And A Girl | ZonkyPiano – Mary Lou WilliamsWritten-By – Razaf*, Waller* |
C1 | –Woody Herman Orchestra* | Three Ways To Smoke A PipeTrombone – Billie Rogers Written-By – McCarthy* |
C2 | –Jack Teagarden Band | Memories Of YouPiano – Norma TeagardenWritten-By – Razaf*, Blake* |
C3 | –Dardanelle Trio* | After You Get ItPiano, Vocals – Dardanelle BreckenbridgeWritten-By – Berlin* |
C4 | –The International Sweethearts Of Rhythm* | Tuxedo JunctionWritten-By – Feyne*, Hawkins*, Dash*, Johnson* |
C5 | –The International Sweethearts Of Rhythm* | Sweet Georgia BrownTenor Saxophone – Viola BurnsideWritten-By – Bernie*, Casey*, Pinkard* |
C6 | –Dorothy Donnegan* | Dorothy's Boogie WoogiePiano – Dorothy Donnegan* |
C7 | –Fletcher Henderson And His Orchestra | St. Louis BluesTrumpet, Vocals – Valaida SnowWritten-By – Handy* |
C8 | –Jimmy McPartland And His Dixieland Band | In A MistPiano – Marian McPartlandWritten-By – Beidebecke* |
D1 | –Mary Osborne | Rose RoomGuitar – Mary OsborneWritten-By – Hickman* |
D2 | –Mary Lou Williams | ConversationBass – June RotenbergDrums – Rose GottesmanGuitar – Mary OsbornePiano – Mary Lou WilliamsVibraphone [Vibraharp] – Margie Hyams*Written-By – Williams* |
D3 | –Terry Pollard Septet, Clark Terry Septet | MambluesBass – Bonnie Wetzel, Percy HeathDrums – Elaine Leighton, Kenny ClarkeGuitar – Mary Osborne, Tal FarlowPiano – Beryl Booker, Horace SilverTenor Saxophone – Lucky ThompsonTrombone – Urbie GreenTrumpet – Clark Terry, Norma CarsonVibraphone – Terry PollardWritten By – Williams |
D4 | –Terry Pollard Septet, Clark Terry Septet | Anything You Can DoBass – Bonnie Wetzel, Percy HeathDrums – Elaine Leighton, Kenny ClarkeGuitar – Mary Osborne, Tal FarlowPiano – Beryl Booker, Horace SilverTenor Saxophone – Lucky ThompsonTrombone – Urbie GreenTrumpet – Clark Terry, Norma CarsonVibraphone – Terry PollardWritten-By – Berlin* |
D5 | –Sarah McLawler | Red LightOrgan, Vocals – Sarah McLawler |
D6 | –Joe Marsala Band* | Zero HourHarp – Adele GirardWritten-By – Wayne* |
D7 | –Dizzy Gillespie Band* | My ReverieTrombone – Melba ListonWritten-By – Debusey*, Clinton* |
D8 | –Humphrey Lyttelton Band* | Gee Baby Ain't I Good To YouTenor Saxophone – Kathleen Stobart*Written-By – Redman* |
Companies, etc.
- Phonographic Copyright (p) – Stash Records, Inc.
- Copyright (c) – Stash Records, Inc.
Credits
- Cover, Artwork, Layout – Barbara Gottlieb, Lynn Tesser
- Engineer – Jerry Valburn
- Liner Notes – Mary Lou Williams
- Producer – Bernard Brightman
Notes
Gatefold.D3 and D4 track artists uncredited; tracks originally appeared on Clark Terry Septet, Terry Pollard Septet - Cats vs. Chicks (A Jazz Battle Of The Sexes).
Variant sleeve with no credits on inner gatefold, and a 12" square picture of Mary Lou Williams.
No pseudo or electronic re-channeling has been added.
Other versions
Category | Artist | Title (Format) | Label | Category | Country | Year |
---|---|---|---|---|---|---|
ST 109 | Various | Jazz Women (A Feminist Retrospective) (2xLP, Comp) | Stash | ST 109 | US | 1977 |
Genre: Jazz
Title: The Young Louis Armstrong
Country: US
Released: 1957
Genre: Jazz
Title: Sings The Blues
Country: US
Released: 1954
Genre: Jazz / Blues
Title: The Early Recordings Of Memphis Minnie And Kansas Joe (1929-1936)
Country: Austria
Released: 1971
Genre: Jazz
Title: Louis Armstrong And His Hot Five & Hot Seven (1925-28)
Country: Germany
Released: 1990
Genre: Jazz
Title: Louis Armstrong & Sidney Bechet
Genre: Jazz
Title: New Orleans Days
Country: US
Released: 1950
Genre: Jazz
Title: Louie and Lu
Released: 1974
Genre: Jazz
Title: New Orleans Nights
Released: 1957
Genre: Jazz
Title: Louis Armstrong "Satchmo" Armstrong
Country: Spain
Released: 1974
Genre: Jazz
Title: All Of Me / The Memphis Blues
Genre: Jazz / Blues
Title: Louis Armstrong Volume 3
Released: 1975
Genre: Blues
Title: Lovie’s Music
Released: 1984