album Cloudland Canyon - Fin Eaves mp3 download
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Cloudland Canyon’s 2008 album Lie in Light was the last with Simon Wojan, who left after its release. Subsequently, founding member Kip Uhlhorn recruited his wife, Kelly, who bestowed breathy inflections throughout 2010’s Fin Eaves, a markedly mellower recording than its Krautrock-inspired predecessor. The gauzy opener, No One Else Is Around, is awash in experimental dream-pop. Androgynous whispers are nearly buried under layers of oversaturated guitar reverb, digital delay, and blissed-out distortion that recall early Flying Saucer Attack.
On Fin Eaves Uhlhorn is back with a slew of collaborators, not the least of which is his wife, Kelly, who not only does the gorgeous artwork on the cover, but sings and co-writes a tune, and helps the process along. Last time out, CC were deep into a Krautrock thang, where fixed and syncopated rhythms met noise, droning repetition, and elegant harmonics. By contrast, Fin Eaves is a blissed-out rock & roll dream, kissed by the sunshine vistas of Cloudland Canyon itself (a nationally renowned state park in Tennessee), the sonic experimentation of neo-psychedelic warriors Spacemen 3, and the.
Cloudland Canyon – Fin Eaves. Genre: Electronic, Rock. Style: Krautrock, Experimental, Ambient. Fin Eaves (CD, Album, Gat). Fin Eaves (LP, Album).
BPM Profile Fin Eaves. Album starts at 119BPM, ends at BPM (-119), with tempos within the -BPM range. Try refreshing the page if dots are missing). Recent albums by Cloudland Canyon. Cloudland Canyon, Mythical Beast.
With their fourth proper full-length Fin Eaves, Cloudland Canyon seem set to make you work a little bit harder for your bliss. There is still joy in the project, as something as simple as a rising bassline or a grainy synth layer or even the shake of a tambourine can come across as strangely beautiful . The album's more percussive back half alludes to the Jesus and Mary Chain (like on the foggy, disorienting roll of "Pinklike", before its clean, electronic coda reveals itself) and labelmates Wooden Shjips ("Mothlight Pt. 2"), but Fin Eaves is most clearly defined by its opening track.
Wrong album? Let us know. Expand player Collapse player. FIN EAVES Vinyl Record. Originally an ers outlet for guitarist Kip Ulhorn swapping musical ideas with Simon Wojan, Cloudland Canyon spent several years interpreting the more ged examples of Krautrock, '70's psych of the drone-discovering variety, spots of unnerving (in a good way) improv here and there, and the wonderful '90's bands that started out as head-scratchers and ended.
The new album, Fin Eaves, is a departure in terms of sound, but it still manages to meld prettiness with noise. Fin Eaves is comprised of nine tracks which, on first listen, are almost indistinguishable. The first song, "No One Else Around", starts with a shimmering synth that washes away all the defining characteristics of each song into a noisy soup. But immediately the synth quiets down to give way to dreamy and incomprehensible vocals in an ocean of reverb. But what Cloudland Canyon does that's new is to strip all of these poppy influences down to simple sounds, almost like a sampling of the essence of all these groups. This is pop music without the pop. It ends up being a kind of noise that pushes you to the verge of recognition - and ends just there. As if, once you feel like you are in safe waters, the theme music from Jaws begins to play just to give you a sense of menace.
|No One Else Around|
|Mothlight Pt. 2|
|Hope Sounds Dry|
|Mothlight Pt. 2 (Reprise)|
|072811||Cloudland Canyon||Fin Eaves (CD, Album, Gat)||Holy Mountain||072811||US||2010|
|072811LP||Cloudland Canyon||Fin Eaves (LP, Album)||Holy Mountain||072811LP||US||2010|
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