album cLOUDDEAD - Ten mp3 download

album cLOUDDEAD - Ten mp3 download

Performer: cLOUDDEAD
Album: Ten
Country: US
Released: 2003
Style: Abstract, Experimental
MP3 version ZIP size: 1503 mb
FLAC version ZIP size: 1324 mb
WMA version ZIP size: 1325 mb
Rating: 4.3
Votes: 162
Other Formats: WAV MIDI MP3 MP2 AU VOX AHX

Ten is the second album by American hip hop trio Clouddead. It was released on Mush Records and Big Dada in 2004.

Ten (Clouddead album). Ten is the second album by American hip hop trio Clouddead Contents.

The cLOUDDEAD project extended those methods; sharp humor and surreal images leavened the album's odd shapelessness, and the band even managed to eke out a few cogent concert pieces for their tour.

Summary: This is the second group album (as cLOUDDEAD) for three of the founders of the indie hip-hop collective anticon: Why?, Doseone and Odd Nosdam. Genre(s): Indie, Experimental, Rap.

Find a cLOUDDEAD - Ten first pressing or reissue. Complete your cLOUDDEAD collection. The untitled track 1-10. 3 starts at the 17:43 point of track 1-10. Total duration for track 1-10 is 19:40. Published by: People Cage Music (BMI), Seventyone Pubco.

Well, ie rock group cLOUDDEAD's second album, Ten, is a lot like that. cLOUDDEAD attracted a lot of attention with their debut for coming from a hip-hop background, but producing an almost unclassifiable sonic mélange of spacey obscurantism under the influence of trip hop and musique concrete.

I intentionally set my standards low, and fully expected a letdown. Now I loved cLOUDDEAD's self-titled album, but listening to it you get the feeling that maybe it was incomplete. Maybe because the tracks on it weren't meant to incorporate an album, they were a cumulative group of vinyl releases they decided to compile and release on CD.

With their second LP, Ten, MCs Why? and Doseone with beatrinarian Odd Nosdam evade the tendrils of desolation that curled around the last record by riding portly vocal harmonies, distracted poetry and wickedly tailored beats into sophomore maturity. While there’s more comforting melodic cohesion on this album, the hovering sadness hasn’t disappeared completely. Instead, it has touched down, hardened slightly around the dogs, death, bicycle physics and soldiers delivered in fast raps, rhyme trade-offs and startling samples. True? Doseone: It’s really hard to explain why this is the last record.


Pop Song 5:47
The Keen Teen Skip 5:19
Rhymer's Only Room 2:23
The Velvet Ant 2:49
Son Of A Gun 5:48
Rifle Eyes 3:50
Dead Dogs Two 3:59
3 Twenty 3:01
Physics Of A Unicycle 4:16
Our Name 5:40


Category Artist Title (Format) Label Category Country Year
MH-230 cLOUDDEAD Ten ‎(LP, Album) Mush MH-230 US 2004
BDCD065 cLOUDDEAD Ten ‎(CD, Album, Promo) Big Dada Recordings BDCD065 UK 2003
BDCD065 cLOUDDEAD Ten ‎(CD, Album) Big Dada Recordings BDCD065 UK 2004
MH-230 cLOUDDEAD Ten ‎(CD, Album) Mush MH-230 US 2004
BRBD-65, BDCD065, BDCDS064 cLOUDDEAD Ten ‎(CD, Album + CD, EP + Ltd) Beat Records, Big Dada Recordings, Big Dada Recordings BRBD-65, BDCD065, BDCDS064 Japan 2004
BDCD065, BDCDS064 cLOUDDEAD Ten ‎(CD, Album + CD, EP + Ltd) Big Dada Recordings, Big Dada Recordings BDCD065, BDCDS064 UK 2004
BDCD065 cLOUDDEAD Ten ‎(CD, Album, Unofficial) Big Dada Recordings BDCD065 Russia 2004
BD065 cLOUDDEAD Ten ‎(LP, Album) Big Dada Recordings BD065 UK 2004

I had just arrived into Diu through Gujarat, India. I put this album on in the morning, and walked around. Diu was Portugal's first call onto Indian soil and saw them get into bother with the local people in the early 1500s. The white stone architecture really made me feel I was in an European seaside town. This album of scattered beats and interplay between all the mcs was so fitting to the place I was in. And forever forth there was my own personal NLP, helped by a friend from Liverpool and two Dutch teenage girls. A bottle of red please Waiter.

Does this include an insert? My copy does not have any.

With its twisted chemistry and schizoid lyrics, cLOUDDEAD's TEN is remarkably set apart from any other hip-hop or 'underground hip-hop' music record. Calling this album a hip-hop album would be too simplifying anyway; TEN is beyond genres. It combines the past and the future of abstract hip-hop. Hip-hop interbreeds with electronic music in TEN. Whereas the debut album from 2001 lacked some consistency, the second album is continuous, uniform and homogeneous. The lyrical lunacy compensates for the musical uniformity. The first track 'Pop Song' is maybe the most obvious example for this. It strikes with bubblegum beats and hard-to-decipher lyrics. Lyrically, TEN is reminscent of William S. Burroughs ('The Velvet Ant') or J.G. Ballard ('Dead Dogs Two') or some other unnerving writers. TEN is as readable as listenable. It is poetry and neologism at the same time. Whatever it is, it is probably the best record of 2004, and the last of cLOUDDEAD, as it says on the album sleeves.

cLOUDDEAD’s second album, TEN, picks up where their debut left off with its dedication to abstract hip-hop rhythms and lyrics that kind of make sense, but really don’t. “Pop Song” is white suburban angst distilled into a rhythm that slips on as easily as a Carhartt trucker cap. They thrive on being unique and avoiding hip-hop clichés, and on tracks like “The Keen Teen Skip,” it’s something to admire. Have you ever heard a hip-hop dirge? “Rhymer’s Only Room” might be the first, then. Indeed, the vocals are meant to add another texture to already-dense sonic compositions. The nasal delivery and sing-song voices of Why? and Doseone perform a contrapuntal elegy on “Dead Dogs Two.” The melodies and near-catchiness of “Physics of a Unicycle” give way to twisted carnival ride. Fascinating and bizarre.

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